Black Out: Silhouettes Then and Now
April 27 - August 25, 2019
Kumi Yamashita, "Profile (new version)." wood, single light source, and cast shadow. Photograph: Rio Sekimura. EXH.SB.04
Kara Walker, "Auntie Walker’s Wall Sampler for Savages," 2013. cut paper on wall. © Kara Walker, courtesy of Sikkema Jenkins & Co., New York. Installation view: Camden Arts Centre, London, 2013. Photograph: Angus Mill Photography. EXH.SB.07
Auguste Edouart, "George Washington Whistler and Lady Whistler Haden," 1842. ink, chalk and cut paper on paper. Gift of Robert L. McNeil, Jr. National Portrait Gallery, Smithsonian Institution. S.NPG.91.126.117.A
Auguste Edouart, "Chin Sung," 1841. lithograph and cut paper on paper. Gift of Robert L. McNeil, Jr. National Portrait Gallery, Smithsonian Institution. S.NPG.91.126.79.A
Annie Dawson, "Tea Cups and Saucers," 1872. Porcelain with black handles and gold rims. Gift of Miss Lena Cadwalader Evans. The New-York Historical Society, New York. Photograph © New-York Historical Society. 1936.788ab NYHS
Unidentified Artist, "Flora and Bill of Sale," 1796. cut paper on paperboard with pen and brown ink. Stratford Historical Society, Stratford, Conn. EXH.SB.03
Kumi Yamashita, "Origami," 2017. Japanese paper, single light source, and cast shadow. Photograph: Mitch Ranger. EXH.SB.06
Kara Walker, "Burning African Village Play Set with Big House and Lynching," 2006. laser cut steel and paint. © Kara Walker, courtesy of Sikkema Jenkins & Co., New York. Photograph: Luciano Fileti. EXH.SB.10
The Museum engages its visitors with art through exhibitions that often merge art making of the past with that of the present. Black Out: Silhouettes Then and Now fuses the history of silhouette portraiture and its interpretation in contemporary art in beautiful and thought-provoking ways. The silhouette is an art form with a long tradition in the culture of the American South. During the 19th century, Mississippians practiced the art of silhouette making to create likenesses of themselves and family members. The silhouettes were a widely accessible medium to produce a portrait before the age of photography. Professional artists such as Auguste Edouart worked in Natchez to create silhouettes of local elites. But the silhouette was also employed to produce the image of people who were enslaved or had escaped slavery. Black Out is an important contribution toward examining the legacy of the cut paper profile through a dialogue with contemporary art. Three well-known contemporary artists, Kara Walker, Camille Utterback, and Kumi Yamashita, reexamine and reimagine the silhouette to broaden our understanding of its power in the past and in the present.
Organized by the National Portrait Gallery in Washington D.C.